Juliette Binoche (born 9 March 1964) is a French actress, artist and dancer. She has appeared in more than 40 feature films, been recipient of numerous international accolades, is a published author and has appeared on stage across the world.
After performing in several stage productions, she was propelled into the world of auteurs Jean-Luc Godard (Hail Mary, 1985), Jacques Doillon (Family Life, 1985) and André Téchiné, who made her a star in France with the leading role in his 1985 drama Rendez-vous. Her sensual performance in her English-language debut The Unbearable Lightness of Being (1988), directed by Philip Kaufman, launched her international career.
She sparked the interest of Steven Spielberg, who offered her several parts including a role inJurassic Park which she declined, choosing instead to join Krzysztof Kieślowski on the set ofThree Colors: Blue (1993), a performance for which she won the Venice Film Festival Award for Best Actress and a César. Three years later Binoche gained further acclaim in Anthony Minghella’s The English Patient (1996), for which she was awarded an Academy Award and aBAFTA for Best Supporting Actress in addition to the Best Actress Award at the 1997 Berlin Film Festival. For her performance in LasseHallström’sromantic comedy Chocolat (2000) Binoche was nominated for an Academy Award for Best Actress.
During the 2000s she maintained a successful, critically acclaimed career, alternating between French and English language roles in both mainstream and art-house productions. In 2010, she won the Best Actress Award at the Cannes Film Festival for her role in Abbas Kiarostami’s Certified Copymaking her the first actress to win the European “best actress triple crown” (for the Berlin, Cannes and Venice film festivals).
Throughout her career Binoche has intermittently appeared on stage, most notably in a 1998 London production of Luigi Pirandello’s Naked and in a 2000 production of Harold Pinter’s Betrayal on Broadway for which she was nominated for a Tony Award. In 2008 she began a world tour with a modern dance production in-i devised in collaboration with Akram Khan. Often referred to as “La Binoche” by the press, her other notable performances include: Mauvais Sang (1986), Les Amants du Pont-Neuf (1991), Damage (1992), The Horseman on the Roof (1995), Code unknown (2000),Caché (2005), Breaking and Entering (2006), Flight of the Red Balloon (2007) and Camille Claudel 1915 (2013).